LD-W's audio Reviews on Newgrounds

[Northern Travels EP - Wintry Ambient Music]

Albion Tundra and Adagietto really does make for such a expressive combo!

The overall production, resulting atmosphere, design choices and the approach to composition that you've done throughout all of the tracks is to a level I'd certainly consider Professional for sure. You could drop any of the tracks into a large budget open-world game or as piece to play over documentaries and it will work. Not much else to say, great job overall ;)

I'll buy it when I can. Been recently stung for money having to replace a few things breaking on me haha

Everratic responds:

Indeed! I thought Adagietto was a shitty library for years, but one day I was looking for the right strings sound for my composition, and I rediscovered Adagietto's arcs and was amazed by their utility. 8DIO's arcs are "game-changing".

Thank you for the nice comments. I'm happy to hear that my studying of ambient music paid off.

I'm sorry to hear about your financial situation. I hope you get back on track soon and wish you success with the libraries you're working on.

[A Stroll Down St Pancras]

I might be a star, but you're the bigger star ;)

['B' a Musical Ode to Strawberryclock in F Major]

Atmosphere: B/B
Composition: B/B
Production: B/B
Sound Design: B/B
Theme: B/B

Overall Score: B/B

B

[a plaintive cry from space]

Looking at this from more of a design perspective, it sounds like it could slot right into the first Metroid Prime OST as a zone ambient piece. The space whistle-like lead (plus how it's notated), the textured atmosphere and the bleep/blips alternating between their duties as a background aid and the more present short pulses all add up to the incredibly similar vibes that are present throughout several parts of that OST.

5'd and fav'd

Troisnyx responds:

Funny you mention Metroid Prime, that series' OST is excellent and I've taken a few musical cues from it. 😮 Also Ar tonelico, the more synth-heavy elements of it, as well as synth-heavy doujin works of it.

You read my musical influences pretty well, I'm flattered.

[Calm Before the Storm]

Ayy #428hzgang

It does have quite the melancholy edge to it, the frequency shift has changed the timbre of everything (especially the strings). A much more stormy, moments-before-disaster vibe throughout most of the piece. The kind of vibe I'm always down for ;)

Solid work on a one-hour time limit l a d. Humanization and also the mix sounds alright considering the time limit, I'm sure if you had longer you'd probably be tweaking it some more.

Everratic responds:

Yeah, I think so too. I'm really liking the timbre of the violin here. The tone shift + nonvibrato gives it a pristine sound.

Regarding the mix and humanization, the main things I would change are creating a better hierarchy during the busier section so the melody is on top and make the "majestic horn" sound a little more dynamic and smooth.

Thank you for the review and idea!

[AIM - Children of the Sea]

Congrats on the front page!

Some very tasty libs here, especially what you're using for your strings. They do sound like they came straight of a live recording session, excellent dynamics control and articulation choices. The overall composition is also by far the 'closest' to the artwork of any entry I've listened to so far.

It would be an outrage if you get anything lower than 90% on the final score haha

Everratic responds:

Thank you!!

It's nice that the work I put into humanization is appreciated :) Lmk if you have any questions about the libs - you probably already noticed that I listed them in the song's info section.

[hallowed silence]

We totally need to jump onto making the metal version of this now that it's finished!

When I listen to the piece you've made overall with the vocals, piano-work, organ-work and ambience-work, it reminds me sometimes of a more 'positive-sounding' (in mood) Evig Natt style track at certain points (from around their work on the 'I Am Silence' album).

I think if I was to nitpick just to try and get at least one constructive piece into the comment section, the piano playing on the lower octave at around 2:14 lost abit too much of it's mid-presence. Automating an EQ to boost it's mid-freq tones specifically at that segment of the track (then disabling it after that segment's finished) could be beneficial in the future if you're looking to do a future revision.

Gets a thumbs-up from me overall!

Troisnyx responds:

Noted; I'd actually turned down the mids on the lower piano to make some room for that bass pad and the other mids but that might have been a tad excessive.

Thank you so much <3 Let's talk WAV / FLP stems for this some time soon~